This past Saturday marked both the first opportunity the dancers had to rehearse on the stage of the McPherson Auditorium in Goodhart Hall, where the performances will be held, as well as the last day they will spend rehearsing with Jennifer Conley before she returns for the performances at the end of April. My greatest take-away from this “end of the beginning” was an experience of wholeness – I guess it could be considered the spirit of the mass more completely accessed right before my eyes. By this I mean I felt a strengthened bond between the dancers of the ensemble that was evident in their movements. I also found a new appreciation for the dance itself as a complete entity, instead of a series of deconstructed parts – and this was, I’m sure, influenced by both the unity of the dancers and the way my view was framed by the stage.
After the warm-up Jennifer had the dancers focus on some of the more challenging entrances – moments that are difficult due to a combination of exacting form, limited time and complex staging. So, they lined up and moved across the stage, row by row, back and forth.
Here they come – Sofia, Alexandra Adams, Joie, Michelle – rehearsing spiral lunges. The next row is prepared to follow, with arms in place and hands cupped.
![The dancers rehearse the "zombie walk" while Jennifer [far right] uses Joie to demonstrate the sensation of opposing forces this movement should conjure. Here, the dancers are pushing forward through air thick with remembered sorrows.](http://mawrsteps.blogs.brynmawr.edu/files/2014/03/jen-push-joie.jpg)
The dancers rehearse the “zombie walk” while Jennifer [far right] uses Joie to demonstrate the sensation of opposing forces this movement should conjure. Here, the dancers are pushing forward through air thick with remembered sorrows.
Preparation (anticipation!)
Then but a blur.
And quickly following:
Prepare…
And go!